Commemorative 100th Issue of The Public Eye
Featuring excerpts from 20 seminal articles published in the magazine between 1995 and 2018.
A peer-reviewed quarterly magazine that goes beyond the standard thinking and reporting on the U.S. and Global Right, The Public Eye and it’s historical pieces continue to be relevant today.
Click here to purchase a physical copy of The Public Eye 100th Commemorative Issue or read each featured article, in full, at the links included below:
The Resurgent Right: Why Now? by PRA Founder Jean Hardisty
The Right’s Attack on Aid to Families with Dependent Children by Lucy A. Williams
The Rise of Dominionism: Remaking America as a Christian Nation by Frederick Clarkson
Post-Palin Feminism by Abby Scher
Nativist Bedfellows: The Christian Right Embraces Anti-Immigrant Politics by PRA Executive Director Tarso Luís Ramos and Pam Chamberlain
The New Christian Zionism and the Jews: A Love/Hate Relationship by Rachel Tabachnick
The U.S. Christian Right and the Attack on Gays in Africa by Kapya Kaoma
The Long Hurricane by Darwin BondGraham
The Conservative Attack on Birthright Citizenship by Sherrilyn A. Ifill
Reconsidering Hate: A Forum on the “Hate” Frame in Policy, Politics and Organizing by Kay Whitlock
A Beachhead in Brazil: Christian Right Legal Center’s “South American Way” by Jandira Queiroz
Terror Network or Lone Wolf?: Disparate Legal Treatment of Muslims and the Radical Right by Naomi Braine
“Faith-Washing” Right-Wing Economics: How the Right is Marketing Medicare’s Demise by Mariya Strauss
‘Trumping’ Democracy: Right-Wing Populism, Fascism, and the Case for Action by Chip Berlet
35 Years of Demonization: The Criminalization of Black Women by Victoria Law
Trump’s “Second Amendment People”?: The U.S. Patriot Movement Today by Spencer Sunshine
Birth of the Alt Right by David Neiwert
Mobilizing Misogyny by Alex DiBranco
Skin in the Game: How Antisemitism Animates White Nationalism by Eric K. Ward
The New Southern Strategy: How Christian Persecution Became White Supremacy’s Newest Disguise by Cole Parke
